Dues AI Art

dues ex game

the reason of existence

artists procrastinating and crying when the deadline is due

the difference between how and why

The difference between why and how

why don't we leave it at

our doubts are traitors and cause us to lose what we could often gain, simply because we are afraid to take the risk.

why don't we leave it

why don't we leave

why don't we

if they are pushing and they are making it then they are leading us along

The stars are wrong

due fritture, gomorra

the hamburgler is stealing hamburgers from hungry mcdonalds customers, photorealistic

why don't we leave it at that?

why fell so alone when we share so much wisdom

cause you're a brand - new species

midgets playing basketball

film still of the sopranos

cinematics

just because people have free will doesn't mean they always use it

this is wrong

all is fair in love and war, photorealistic octane render by Rubens, cinematic lighting

celestial beings, lightning, crystalline shimmers,

yos written in smokes

a group of people

irregular fractals of chameleons, warped hexagons, motion blur, distortion

when the impostor is sus

thanos smoking a cigarette hyperrealistic

cheems is love, cheems is life

movie still, 1 9 8 0 s, androids, hyperdetailed, by ridley scott and john carpenter, blue leds

brendan fraser

super sus in adidas tracksuit

Faridah Malik, dues ex

indonesians smoking

quite a lot of caprisonnes are stored in a field, realistic

a guy makes a good point, gets standing ovations

eating handfuls of maggots

an old monitor, Alegria, corporate memphis

fried chicken tenders

amazon on wednesdays

the leading cause of cancer

amongus sus sus

when the imposter is sus

inflation drives fastest fall in real pay on record

los caprichos, or the caprices by goya

where did we go wrong

everybody's got their dues in life to pay, oh, oh, oh,, highly detailed, sharp, cinematic, 8 k,

celestial beings of light, paganism, heathenry, leds, crystalline shimmers, giallo,

a statistic showing when the collapse of our society will come.

two thugs smoking and drinking in the street wearing balaclavas, drum & bass, football hooligans, chonging cigs with dj hazard

a scene from the sopranos ( tv show )

close - up black work boots, hyper realistic, textured leather, laces, thick soles

in the evening, in the style of the last of us : part 2, a gas station that has been forgotten for many years in the tropical rain forest, a collapsed highway, a rusty jeep, and rescue supplies are piled up beside it. everything is covered by vegetation. by sergey vasnev and jan urschel, matte painting, real lighting, ponding

why is my grave wet?

as the sun inclines, in the west chamber i recline in solitude, looking at the silhouette of distant hills between gathered curtains held by hooks. i know not the whereabouts of the countenance of my desire, yet continuing to flow eastwards are green ripples as usual, by gediminas pranckevicius

a large stack of money covered in pears

someone stole my crocs from my carport, extremely photorealistic, hyper detailed, canon eos - 1 d x mark iii, 3 0 0 mm

the last of us : part 2 style, a restaurant sign of rusty potato people. by sergey vasnev and jan urschel, matte painting, real lighting

A bit rusty, but I think it’s moreover better because it describes the lighting, film type, photo context, as well as the year and usage.