a head and shoulders movie still of elle fanning in a red dress from resident...

a head and shoulders movie still of margot robbie in a red dress from resident evil ( 2 0 0 2 ) by paul w. s. anderson | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry rawlings

a head and shoulders movie still of elle fanning from spirited away ( 2 0 0 1 ) by hayao miyazaki | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry rawlings, peter weatherley |

a head and shoulders movie still of elle fanning from resident evil ( 2 0 0 2 ) by paul w. s. anderson | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry rawlings, peter weatherley

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing [ your choice here ] | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry rawlings, peter weatherley | cinematography by

a movie still of a ramen noodles from spirited away ( 2 0 0 1 ) by hayao miyazaki | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry rawlings, peter weatherley | cinematography by

a head and shoulders movie still of a blonde girl from spirited away ( 2 0 0 1 ) by hayao miyazaki | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry rawlings, peter weatherley

a head and shoulders movie still of elle fanning from ghost in the shell ( 1 9 9 5 ) by mamoru oshii | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry rawlings, peter weather

a wide angle movie still from alien 3 ( 1 9 9 2 ) by david fincher showing michael biehn in a hospital bed, sci - fi and supernatural horror, uneasy and uncanny atmosphere, shot on celluloid with panavision cameras, panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry rawlings, peter weather

a wide angle movie still from alien 5 ( 2 0 1 5 ) by neil blomkamp showing michael biehn as solid snake wearing a bandanna and eye patch, sci - fi military and supernatural horror, uneasy and uncanny atmosphere, shot on celluloid with panavision cameras, panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crow

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing [ nostromo ] | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry rawlings, peter weatherley | cinematography by

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing [ your choice here ] | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format

a wide angle movie still from alien 3 ( 1 9 9 2 ) by david fincher showing bald michael biehn, sci - fi and supernatural horror, uneasy and uncanny atmosphere, shot on celluloid with panavision cameras, panavision lenses | 3 5 mm film negative width | anamorphic projection format

a wide angle movie still from the thing ( 1 9 8 2 ) by john carpenter showing the halloween scene, sci - fi and horror, uneasy and uncanny atmosphere, full color, shot on celluloid, panavision lenses, 3 5 mm film, anamorphic, oscar winning practical effects

a head and shoulders movie still from blade runner ( 2 0 4 9 ) by denis villeneuve showing emma watson crawling out of an avocado!!!! | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther,

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing a man being ripped apart by an alien, red fluid spurting | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing a screaming woman with an chestburster coming out of her chest | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry

a wide angle movie still from the thing ( 1 9 8 2 ) by john carpenter showing the decorating for christmas scene, sci - fi and horror, uneasy and uncanny atmosphere, shot on celluloid, panavision lenses, 3 5 mm film, anamorphic, oscar winning practical effects

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing alien | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien attacking someone | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing a xenomorph looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects

a wide angle movie still from metal gear solid and alien 5 ( 2 0 1 5 ) by neil blomkamp showing michael biehn as solid snake wearing a bandanna and eye patch, sci - fi military and supernatural horror, uneasy and uncanny atmosphere, shot on celluloid with panavision cameras, panavision lenses | 3 5 mm film negative width | anamorphic projection format |

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien xenomorph looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing a people running from a giger xenomorph. sci - fi and supernatural horror. uneasy and uncanny atmosphere. shot on celluloid with panavision cameras. panavision lenses. 3 5 mm film negative width. anamorphic projection format