a wide angle movie still from braveheart 1 9 9 5 showing mel gibson driving a car, close - up face, shot on celluloid with panavision cameras, panavision lenses, 3 5 mm film negative width, anamorphic projection format, critically acclaimed, oscar winning practical effects
a wide angle movie still from lord of the rings showing emma watson, close - up face, shot on celluloid with panavision cameras, panavision lenses, 3 5 mm film negative width, anamorphic projection format, critically acclaimed, oscar winning practical effects
a wide angle movie still from braveheart 1 9 9 5 showing mel gibson driving a car, shot on celluloid with panavision cameras, panavision lenses, 3 5 mm film negative width, anamorphic projection format, critically acclaimed, oscar winning practical effects
![a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing [ your choice here ] | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry rawlings, peter weatherley | cinematography by](/images/thumbs/66082e1a1fbee0ed_46e23aaf.webp)
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing [ your choice here ] | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry rawlings, peter weatherley | cinematography by
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien attacking someone | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing a xenomorph looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien xenomorph looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien xenomorph from the alien movie looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects
a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien xenomorph from the alien movie looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | practical effects
film still from the pit and the pendulum ( 1 9 6 1 ), 4 0 mm panavision wide - angle lens
film still of jeff goldblum in the pit and the pendulum ( 1 9 6 1 ) in the style of cronenberg, pathecolor, 4 0 mm panavision wide - angle lens
film still of arnold schwarzenegger in the pit and the pendulum ( 1 9 6 1 ), pathecolor, 4 0 mm panavision wide - angle lens
film still from the pit and the pendulum ( 1 9 6 1 ), pathecolor, 4 0 mm panavision wide - angle lens
film still of arnold schwarzenegger in the pit and the pendulum ( 1 9 6 1 ) in the style of cronenberg, pathecolor, 4 0 mm panavision wide - angle lens
a 3 5 mm photo of a pills in the shape of a skull, splash art, movie still, bokeh, canon 5 0 mm, cinematic lighting, dramatic, film, photography, golden hour, depth of field, award - winning, anamorphic lens flare, 8 k, hyper detailed, 3 5 mm film grain
film still from the pit and the pendulum ( 1 9 6 1 ) in the style of cronenberg, pathecolor, 4 0 mm panavision wide - angle lens
medium shot of emma watson in game of thrones season 8, promotional image, detailed face, movie still frame, imax 5 0 mm film
a 3 5 mm photo of a pile of pills forming the shape of a skull, splash art, movie still, bokeh, canon 5 0 mm, cinematic lighting, dramatic, film, photography, golden hour, depth of field, award - winning, anamorphic lens flare, 8 k, hyper detailed, 3 5 mm film grain
a 3 5 mm photo from the back of a senior citizen walking in the woods, splash art, movie still, bokeh, canon 5 0 mm, cinematic lighting, dramatic, film, photography, golden hour, depth of field, award - winning, anamorphic lens flare, 8 k, hyper detailed, 3 5 mm film grain
a film still from the 1 9 7 9 movie alien, realism, 4 k, 8 mm, grainy, panavision
emma watson in gears of war, splash art, movie still, cinematic lighting, dramatic, octane render, long lens, shallow depth of field, bokeh, anamorphic lens flare, 8 k, hyper detailed, 3 5 mm film grain
a wide angle shot surreal portrait of a goddess, movie still, cinematic lighting, ray tracing, octane render, long lens, shallow depth of field, bokeh, anamorphic lens flare, 8 k, hyper detailed, 3 5 mm film grain
emma watson as wonderwoman in gears of war destiny 2, splash art, movie still, cinematic lighting, dramatic, octane render, long lens, shallow depth of field, bokeh, anamorphic lens flare, 8 k, hyper detailed, 3 5 mm film grain
