The ‘Naive Oculus’ by Man Ray, most famous artwork of early 20th century, auction catalogue photo, private collection, colourised
The ‘Naive Oculus’ by Man Ray, auction catalogue photo, private collectio...
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The ‘Naive Oculus’ by Man Ray, auction catalogue photo, private collection, provided by the estate of an unnamed lover
The ‘Naive Oculus’ by Antonin Artaud, auction catalogue photo, private collection, left to the estate of Man Ray
The ‘Naive Oculus’ by Man Ray, auction catalogue photo, private collection, on display from the estate of Max Ernst
The ‘Naive Oculus’ by Man Ray, auction catalogue photo, private collection, provided by the estate of Marcel Duchamp
The ‘Naive Oculus’ by Man Ray, auction catalogue photo, auction catalogue photo, private collection, provided by the estate of Salvador Dali
“The ‘Naive Oculus’ by Man Ray, auction catalogue photo, auction catalogue photo, private collection, provided by the estate of Salvador Dali”
The ‘Naive Oculus’ by Man Ray, auction catalogue photo (early machine), private collection, on display from the estate of Max Ernst
The ‘Naive Oculus’ by Jean Cocteau, auction catalogue photo, private collection, on loan from the estate of Man Ray
The ‘Naive Oculus’ by Man Ray, auction catalogue photo, private collection, provided by the estate of Salvador Dali
The ‘Naive Oculus’ by Man Ray, auction catalogue photo, private collection, collected by Paul Virilio for the exhibition ‘Aesthetics of Disappearance and Logistics of Perception’
The ‘Naive Oculus’ by Man Ray, auction catalogue photo, private collection, dedicated to Yves Tanguy, provided by the estate of Salvador Dali
The ‘Naive Oculus’ by Man Ray, auction catalogue photo (early rayograph), private collection, dromoscoped
The ‘Naive Oculus’ by Man Ray, auction catalogue photo (early rayograph), private collection, collected by Paul Virilio for the exhibition ‘The Integral Accident’
The ‘Naive Oculus’ by Man Ray, auction catalogue photo (early rayograph), private collection, collected by Paul Virilio for the exhibition ‘Aesthetics of Disappearance’
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