film still from the pit and the pendulum ( 1 9 6 1 ) in the style of cronenbe...

film still of jeff goldblum in the pit and the pendulum ( 1 9 6 1 ) in the style of cronenberg, pathecolor, 4 0 mm panavision wide - angle lens

film still of arnold schwarzenegger in the pit and the pendulum ( 1 9 6 1 ) in the style of cronenberg, pathecolor, 4 0 mm panavision wide - angle lens

film still of arnold schwarzenegger in the pit and the pendulum ( 1 9 6 1 ), pathecolor, 4 0 mm panavision wide - angle lens

film still from the pit and the pendulum ( 1 9 6 1 ), pathecolor, 4 0 mm panavision wide - angle lens

film still from the pit and the pendulum ( 1 9 6 1 ), 4 0 mm panavision wide - angle lens

film still from 2 0 0 1 : a space odyssey ( 1 9 6 8 ) in the style of cronenberg, super panavision 7 0 lenses, 6 5 mm ( eastman 5 0 t 5 2 5 1 )

a wide angle movie still from lord of the rings showing emma watson, close - up face, shot on celluloid with panavision cameras, panavision lenses, 3 5 mm film negative width, anamorphic projection format, critically acclaimed, oscar winning practical effects

a wide angle movie still from braveheart 1 9 9 5 showing mel gibson driving a car, shot on celluloid with panavision cameras, panavision lenses, 3 5 mm film negative width, anamorphic projection format, critically acclaimed, oscar winning practical effects

a wide angle movie still from braveheart 1 9 9 5 showing mel gibson driving a car, close - up face, shot on celluloid with panavision cameras, panavision lenses, 3 5 mm film negative width, anamorphic projection format, critically acclaimed, oscar winning practical effects

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing [ your choice here ] | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | edited by david crowther, terry rawlings, peter weatherley | cinematography by

a film still from the 1 9 7 9 movie alien, realism, 4 k, 8 mm, grainy, panavision

a wide angle movie still from braveheart 1 9 9 5 showing emma watson, close - up face, shot on celluloid with panavision cameras, panavision lenses, 3 5 mm film negative width, anamorphic projection format, critically acclaimed, oscar winning practical effects

a grainy technicolor shot on arri alexa with zeiss prime 8 0 mm lens, 4 k cinematic lensflare 1 9 8 0's cronenberg, carpenter horror science fiction movie interior, cinemascope

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing a xenomorph looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects

5 0 mm lens film still 1 9 9 2 industrial body horror

a still from a david cronenberg movie 1 9 8 3

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien attacking someone | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects

photo of a torsion pendulum clock in its glass dome inside the international space station. highly - detailed, wide angle, award - winning

photo of a torsion pendulum clock in its glass dome floating inside the iss. highly - detailed, sharp focus, award - winning

a 2 8 mm macro photograph of a brain in the shape of a circuit board, photography, film, film grain, canon 5 0 mm, cinematic lighting

a 2 8 mm macro photograph of a circuit board in the shape of a brain, photography, film, film grain, canon 5 0 mm, cinematic lighting

a wide angle movie still from alien ( 1 9 7 9 ) by ridley scott showing an alien xenomorph looking at camera | sci - fi and supernatural horror | uneasy and uncanny atmosphere | shot on celluloid with panavision cameras | panavision lenses | 3 5 mm film negative width | anamorphic projection format | critically acclaimed | oscar winning practical effects

photo of a torsion pendulum clock in its glass dome floating inside the international space station. highly - detailed, sharp focus, award - winning